Don Giovanni

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February 2026
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Don Giovanni

Dramma giocoso in two Acts (1787)

Music by Wolfgang Amadeus Mozart
Text by Lorenzo Da Ponte

 

Duration: Approximately 3 hours 15 minutes, including one interval after Act One

Language: Italian, with English and German surtitles

Recommended age: 14 years and older

 

Sometimes as a cautionary tale of a wrongdoer who eventually gets his comeuppance, sometimes as an allegory of a freedom-loving, unconventional libertine who questions the moral and religious ideas of his day: The figure of the irresistibly attractive yet unscrupulous Don Juan (or Don Giovanni) is a modern myth, among whose numerous adaptations Mozart’s "dramma giocoso" stands out.

 

At a rendezvous with the wealthy Donna Anna, the womanising Don Giovanni is apprehended by her outraged father, the Commendatore, who Giovanni kills in the ensuing duel. Anna and her fiancé Don Ottavio swear vengeance on the murderer. Donna Elvira, a woman who has been abandoned by Giovanni but keeps falling for his charms, is also outraged, especially when Giovanni’s servant Leporello tells her about his master’s countless conquests. When Giovanni plans to seduce the young bride Zerlina on her wedding day with Leporello’s assistance, Elvira intervenes. Eventually, she teams up with Donna Anna and Don Ottavio to put a stop to the unscrupulous womaniser. But even when Giovanni is staring death in the face, he refuses to show remorse ... The "dramma giocoso" created by Mozart and his librettist Da Ponte perfectly blends serious and comic opera. They elevated the subject matter, which was normally given a buffoonish or moralising treatment, with psychological acuity, musical finesse and poetic wit, and depicted both the betrayed Donna Elvira and the seduced Donna Anna as serious antagonists and multilayered characters who are the equals of the irresistible Giovanni.

Program and cast

Musical Director: Finnegan Downie Dear

Director: Claus Guth

Set Design, Costumes: Christian Schmidt

Light: Olaf Winter

Choreography: Ramses Sigl

Chorus Master: Dani Juris

 

Don Giovanni: Gyula Orendt

Donna Anna: Evelin Novak

Don Ottavio: Siyabonga Maqungo

Komtur: Taras Shtonda

Donna Elvira: Clara Nadeshdin

Leporello: Friedrich Hamel

Masetto: David Oštrek

Zerlina: Jingjing Xu

 

Staatsopernchor, Staatskapelle Berlin

State Opera Unter den Linden

Staatsoper Unter den Linden is one of Berlin's most prestigious opera houses, with a rich history and significant cultural impact.

 

History:
The Staatsoper Unter den Linden was originally built between 1741 and 1743, under the direction of architect Georg Wenzeslaus von Knobelsdorff. It was commissioned by Frederick II of Prussia and was initially named the Königliche Oper (Royal Opera). The opera house has undergone several renovations and reconstructions, notably after World War II damage. It reopened in 1984, following a major renovation.

 

Construction:
The original design was characterized by its Baroque style, featuring an elegant façade and a grand entrance. The building was reconstructed in the 1950s and 1980s, maintaining its classical exterior while modernizing the interior. The façade features a classic portico with six Corinthian columns and a prominent central pediment.

 

Interior:
The interior is known for its opulent and classical design. The auditorium is renowned for its acoustics and grandeur, with luxurious velvet seats and elaborate decorations. The stage and seating areas have been updated to meet modern performance standards while preserving historical aesthetics.

 

Concerts and Performances:
The Staatsoper Unter den Linden hosts a variety of performances, including operas, orchestral concerts, and ballet. It is home to the Staatskapelle Berlin, one of Germany's leading orchestras. The opera house is celebrated for its high-quality productions and its role in Berlin’s vibrant cultural scene.

 

JOURNEY

The Staatsoper Unter den Linden has completely barrier-free access due to its excellent public transport connections.

ADDRESS: Unter den Linden 7; 10117 Berlin

SUBURBAN RAILWAY
S+U Friedrichstraße (S1, S2, S5, S7, S25, S75)

 

SUBWAY
Hausvogteiplatz (U2)
Museumsinsel (U5)
Stadtmitte (U2, U6)
Unter den Linden (U5, U6)

 

BUS
Staatsoper (100, 245, 300)
Unter den Linden/Friedrichstraße (100, 147, 245, 300, N6)

 

PARKING
Q-PARK parking garage Unter den Linden/Staatsoper
Bebelplatz, 10117 Berlin
There are five electric charging stations in the parking garage. Further information can be found here.

The underground car park on Bebelplatz offers disabled parking spaces and direct access to the opera house. On entering the car park between 5.30pm and 11.30pm, the maximum parking fee is €7. To use this tariff, enter your parking ticket in one of the pay machines and the message »Theatertarif« will appear on the display. Please note that it is not possible to use the tariff if you enter the car park before 5.30pm. so it will not be shown on the display. TIP: If you pay the theatre tariff at the pay machine before the event, you can avoid unnecessary waiting after the show.

Wikipedia
© Monika Rittershaus
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