The Turn of the Screw

The Turn of the Screw

Opera in a prologue and two acts (1954)

Music by Benjamin Britten
text by Myfanwy Piper after Henry James

Duration: Approximately 1 hour 45 minutes, without intermission
Language: Performed in English, with German and English surtitles

Recommended age: 14 years and older

A young woman is given a job as a governess at a country house, Bly, where she will be looking after two orphan children, Flora and Miles. She has been hired by the children’s uncle and guardian, who doesn’t want to be bothered by anything and who makes the young woman swear to absolute secrecy about the goings-on at his estate. Mysterious things do indeed start to happen at the house, including strange behaviour by the children. She also finds something inscrutable about the housekeeper Mrs Grose, who has apparently spent half her life at Bly. Later, the governess believes she sees hazy apparitions of a man and a woman gliding through the rooms of the house, and she identifies them as the spirits of former employees Peter Quint and Miss Jessel. Demonic forces appear to be running rampant and plaguing the characters. At the end, one thing is certain: one of the characters lies dead. Everything else remains unanswered …

Benjamin Britten’s mysterious, arresting chamber opera The Turn of the Screw has a fragmented structure that reflects the main character’s own apparently fragmentary and possibly distorted perceptions and memories. Each scene casts a different light on the events, which are viewed through the lens of the governess’s memories. They do not coalesce into a unified whole, but instead feel more like a puzzle with missing pieces. Britten’s opera is based on an 1898 novel by Henry James that was influenced by early ideas of depth psychology. James once described the novel, with some understatement, as a "play of strange encounters".

Plot

Prologue

A woman from a modest background, the daughter of a countryside vicar whose name we will never learn, is named governess at the country estate of Bly. Here, she is to take care of the two orphans Flora and Miles and provide for their upbringing. Her employer is the children’s uncle, who refuses to be bothered with such matters. A great responsibility weighs upon her shoulders.

Act one

With great dedication, the governess approaches her task at Bly. Alongside the two children, there is also the housekeeper Mrs. Grose. At first, the closed off cosmos of Bly with the angelic children seems like a perfect idyll. And yet, gradually, the untarnished nature of this world is shaken to the core. A letter arrives; Miles has been expelled from school. The reasons are unclear, leading to an initial sense of unease. The governess believes she sees spectral beings wandering across the rooms of Bly. Mrs. Grose thinks she can recognize the former employees Quint and Jessel, who died under mysterious circumstances. The governess is convinced that Miles and Flora are in danger and that she must protect her charges and save them. In her fantasy, she hears voices calling for the children.

Act two

The governess now can hardly find her way around Bly. She feels lost in her own "labyrinth" and the screw of disorientation continues to turn until she goes completely mad. The voices she hears become louder, the danger seems to grow. The governess tries to order events, as if she were reassembling the parts of a puzzle over and over again. Everywhere she suspects deception and seduction, is just about to flee. But then she decides to tell the uncle of the events. Due to this climax in events, Mrs. Grose leaves the house with Flora and travels to London. The governess is left behind with Miles, and is finally able to understand.

Program and cast

Musical Director: Finnegan Downie Dear

Director: Claus Guth

Set Design, Costumes: Christian Schmidt

Light: Sebastian Alphons

Prologue, Peter Quint: Stephan Rügamer

Governess: Christiane Karg

Miles: Nicolò Balducci

Flora: Regina Koncz

Mrs. Grose: Rosie Aldridge

Miss Jessel: Anna Samuil

Staatskapelle Berlin